[The following movie clips are short random sections which are highly compressed in order to post them on the web. The actual size and length is posted with the clip.
Whilst they can be shown as individual pieces in selected venues they, ideally, should be seen projected as installations where they would be looped so that the viewer could see them at their own pace and repeatedly if they wish.]
“quasilunarevent” is a tri-screen installation which immerses the viewer in sequenced images which are slightly out of phase with each other.
The equal sized planes are set in a Left, Front, Right configuration and darkened environment. On to these planes are projected slowly evolving images with related sounds. The piece loops continuously but because the individual screens are out of sync with each other the overall image is constantly varying.
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“shadowfield” consist of three short parts which can either be shown separately or as a linked sequence. Each is 3 minutes 40 secs long. Its images (as the title suggests) are derived from shadows of objects which are concealed from the viewer.
These movies are silent to allow their visual complexity to dominate the viewer’s experience.
HD 1280 x 720 • Length: pt 1 – 3′ 40″ / pt 2 – 3′ 40″ / pt 3 – 3′ 40″ 2009
Two forms move against a terrain which is of a similar origin to themselves whilst another form of an obviously different source is also present creating a state of tension in their interaction as they slowly circumnavigate each other.
The sound element driving this movement is derived from electric chisels which could have been used used to fashion the indigenous forms in a less virtual environment?
HD 1280 x 720 • Length: 7′ 34″ 2009
“Peyps’ Pipe”
3D animation
Ian Wilcock once again provides an electronic soundtrack which compliments the images whilst emphasizing the movement within it.
The visual material for this piece concentrates on a hole; a viewpoint into what seems a richer and intensely vibrant environment that the viewer never really gets to observe. As a (token) consolation, an elegant disc emerges and briefly taunts the viewer with reflections and echoes of the vibrant world beyond.
The piece casts the viewer as a voyeur; an observer whose entire experience must, of necessity, be on the one hand vicarious and unsatisfying, yet also pervaded by a knowledge of the possibility of something better. Perception itself is cast as a subversive drama suffused with the constant awareness of the impossibility of satisfaction in the here and now together with an unshakable knowledge that the objects of desire are both tangible and near at hand. I.W. / A.G
1280 x 720 • Length: 10′ 55 “ 2008
Medium Blu-ray • BD DVD player with HD screen or projector needed.
“jonah” is my second collaboration with the writer Brian Marley.
Said Jonah of his ordeal: “The Holy books got it all wrong, WRONG WRONG WRONG in every particular!” Mindful of this, Andrew Greaves and I offer alternative perspectives on Jonah’s experience, hoping to embrace a greater truth, which, as Jonah grudgingly concedes, we may have done, “even if only inadvertently”. BM
HD 1280 x 720 Length 9 mins. 28 secs.
is a 8′ 35″ 3D digital animation made in 2006.
It is an example of my preoccupation with synthetic, formal elements which co-exist within a natural landscape. These forms contrast with their environment and create ambiguous scale and functional references. Are they signifiers of inhabitation past or present and is the landscape terrestrial?
Size 1280 x 720 HD
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is a 12′ 11″ 3D animated movie made in 2007.
“simmentalTide” takes as its starting point my recent move to the British countryside and seeing
with fresh eyes the spectacle of domestic animals grazing.
The resultant photographic images are combined with 3D animated forms to construct this work.
Original size 1280 x 720 HD
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