Please read this before looking at the images of the prints especially if you are contemplating buying one.

Use the scroll bar on the right to progress through the pages. Eventually you will reach the end of the first page where there is an instruction ‘ ← previous‘. Clicking on this will take you to the next set of pages. Eventually the instruction will change to: ‘← previousnext →’, keep on with the ‘previous‘  until you get to the end of the section – ‘Cruciform prints’  you will then click on ‘ next →’ and the site menu should be shown at the top of the page. Clicking on ‘digital prints‘ should return you back to the beginning.

The following section  attempts to give the viewer a virtual overview of my digital prints, however, it is a representative selection and not all of the images in the the series are included. This ‘web’ selection – like all web images – only gives a hint as to how they really look as so much of their presence is lost by the size and compression.Viewing hard copies is the only way of appreciating their true properties.

More information about the imagery of the series can be found on the Movie section of the site if it is derived from a movie although they are  independent pieces.

The very early images can only be printed to smaller size than the later ones but the overall quality is exactly the same.

Where the maximum size is quoted as being 800 mm x ? (where 800 is the width). Larger sizes are possible with the earlier images without loosing any definition which of course is the bonus of digital media. The later images can be printed to a larger size anyway.

The size will be reflected in the  price but isn’t the only consideration.

To locate the actual name of the print RMC (right mouse click) on it and choose the option “save image as” where the name of the file will be shown in the window. You may then make a note of it or save the it to your desktop and extract the information later. E-mailing the image(s) to me is also an option.

A small printed version (A4)  can be sent to you to help in your selection, especially for the larger sizes.

Thank you for reading this.

N.B. Any print series with “Not 3D” in its title has been made using virtual 3D technology but in such a way as to exploit the process for normal 2D viewing.

AG 2018

windtunnelF1373  – Print 1

windtunnelF1766  – Print 2

 

As with all the recent print series they relate to the movie of the same name.

The Vimeo link to the Movie of this series is: http://vimeo.com/441981207

windtunnelF2768  – Print 3

windtunnelF3424  – Print 4

windtunnelF3652  – Print 5

windtunnelF4529  – Print 6

windtunnelF4799  – Print 7

windtunnelF5127 –  Print 8

 

 

windtunnelF5429 –  Print 9

windtunnelF5482 –  Print 10

windtunnelF5690 –  Print 11

windtunnelF5771 –  Print 12

windtunnelF5840 –  Print 13

windtunnelF5950 –  Print 14

 

 

First flight: Image 1  [F1445]

First flight: Image 2  [F1780]

First flight: Image 3  [F1901]

First flight: Image 4  [F2300]

First flight: Image 5  [F2546]

First flight:  Image 6  [F2751]

First flight: Image 7  [F3262]

First flight: Image 8  [5494]

 

As with all the recent print series they relate to the movie of the same name.

The Vimeo link to the movie is:http://vimeo.com/441980445

 

 

 

 

Desert tagging still # 1

Desert tagging still # 2

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These image originate from the short animation of the same name although the images have been slightly modified for static viewing.

For more detailed information please read the ‘Introduction to the digital print’ page.

AG 2020

These print images are –  as usual in my recent work – derived from moving pieces of the same name.

To view the Movie please follow this link:

https://vimeo.com/296016622

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This print series was derived from the movie of the same name (see digital movies) but they are unique images in their own right.

As usual the size of the printed images can be up to 1 meter horizontally.

AG 2017

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Red is ‘it

These images reference  an old street game – sometimes called ‘tag’ – where  one of the players tries to avoid being touched by another member of the group who then becomes ‘it’ in turn. There are no rules and no defined teams.

The movie from where the images originate is available in the ‘digital movie’ section of this site or the direct link is:

https://vimeo.com/197912472

© 2016

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blue is ‘it’

These images reference  an old street game – sometimes called ‘tag’ – where  one of the players tries to avoid being touched by another member of the group who then becomes  ‘it’ in turn. There are no rules and no defined teams.

The movie from where the images originate is available in the ‘digital movie’ section of this site or the direct link is:

https://vimeo.com/187670943

 As usual the size of the printed images can be up to 1 meter wide

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green is ‘it’

These images reference an old street game – sometimes called ‘tag’ – where one of the players tries to avoid being touched by another member of the group who then becomes ‘it’ in turn. There are no rules and no defined teams.

The movie from where the images originate is available in the ‘digital movie’ section of this site or the direct link is:

https://vimeo.com/203810456

© 2016

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tentative liaisions: four

The following images originated from  the animation ‘tentative liaisions four’. This movie can be found in the ‘digital movie’ section of this site.

In this series two semi solid forms, either static or moving, interact with forms – which are seen or are ‘out of frame’ – hovering above a reflective surface. If the forms are not directly seen their shadows or refections indicate their presence on the surface below.

Whilst, ideally, all 7 images  should be seen exhibited contiguously they can be veiwed as a separate images.

The size of the images can be up to 1 meter horizontally,

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